Poekilopleuron - Facts and Figures

Poekilopleuron - Facts and Figures Name: Poekilopleuron (Greek for shifted ribs); articulated POY-murder gracious PLOOR-on Living space: Forests of western Europe Recorded Period: Center Jurassic (170-165 million years back) Size and Weight: Around 23 feet in length and one ton Diet: Meat Recognizing Characteristics: Enormous size; bipedal stance; moderately long arms About Poekilopleuron Poekilopleuron had the hardship to be found in the mid nineteenth century, when basically every enormous theropod was being doled out as a types of Megalosaurus (the primary dinosaur ever to be named). An astounding number of acclaimed scientistss were included, somehow, with this dinosaur: the sort species, Poekilopleuron bucklandii, was named after William Buckland; in 1869, Edward Drinker Cope reassigned a now-outdated class (Laelaps) as Poekilopleuron gallicum; Richard Owen was liable for Poekilopleuron pusillus, which Cope later changed to Poekilopleuron minor; later despite everything, Harry Seeley reassigned one of these animal categories to an altogether various family, Aristosuchus. In the midst of this furor of Poekilopleuron action, in any event one types of this center Jurassic dinosaur was doled out to Megalosaurus, however most scientistss kept on alluding to Poekilopleuron by its unique sort name. Adding to the disarray, the first skeleton of Poekilopleuron (Greek for differed ribs)which stood apart for its total arrangement of gastralia, or ribs, a once in a while saved element of dinosaur fossilswas wrecked in France during World War II, so scientistss have since needed to manage with mortar imitations (a comparative circumstance wins with the a lot greater meat-eating dinosaur Spinosaurus, whose type fossil was demolished in Germany). Long story short: Poekilopleuron might possibly have been a similar dinosaur as Megalosaurus, and on the off chance that it wasnt, it was an exceptionally close family member!

The Character of Dee in Alice Walkers Everyday Use Essay -- Alice Wal

The Character of Dee in Alice Walker's Everyday Use Alice Walker handily makes the character of Dee Johnson in the short story Regular Use. From the primary section, Walker starts to weave the picture of Dee, who from the start appears to be shallow in numerous viewpoints. Dee turns into a progressively mind boggling character, in any case, as the story unfurls. Favored with the two minds and great looks, Dee develops as somebody who is as yet battling with her character and legacy. Dee's physical magnificence can be characterized as probably the greatest resource. The way that Maggie sees Dee with a blend of jealousy and wonderment (409) signals the peruser to Dee's great appearance. The shortsighted manner by which Walker expresses that Dee is lighter than Maggie, with more pleasant hair and a more full figure (410) gives the peruser the possibility that Dee's excellence has made it simpler for her to be acknowledged outside her family in the public eye. We are left with the feeling that Dee's appearance is better than expected. Walker plays on Dee's physical excellence to differentiate the unattractiveness of Maggie and her mom. Walker ventures to such an extreme as to portray her feet as consistently perfect looking, as though God himself had molded them with a specific style (411). In depicting Dee's feet, Walker is giving the impression of flawlessness from head to toe. Dee's outward magnificence has made her change from poor homestead young lady to that o f an informed, working class dark lady conceivable (Allen-Polley 11). Obviously, Dee doesn't appear to be alright with her past and in this manner makes some troublesome memories tolerating her future. It is just as she isn't generally associated with her family any longer. She essentially needs them to satisfy their situations in her reproduced past. Dee's inspiration in getting back is by all accounts not simply observing her family ... ...ng part of one's life. The character of Dee has numerous aspects. She is honored with acceptable looks and a powerful urge to succeed, however her visually impaired and self-serving want for progress hampers how she sees her past and her legacy. By covering up everything over the tip of her nose and her jaw (415), she deftly figures out how to mask herself from any individual who may find genuine family line. She will not acknowledge her past as it truly occurred. She needs to have the option to make the pictures just as she would prefer. The past is something that can't be reproduced to suit our new thoughts, in any case: It is a piece of us that can't be changed. Sources Allen-Polley, Kathryn. Dee's Heritage. Ode to Friendship. Ed. Connie Bellamy. Virginia Wesleyan College, 1998. Walker, Alice. Ordinary Use. Harper Anthology of Fiction. Ed. Foresty Barnet. New York: Harper Collins, 1991.

Sailing!

Sailing! Twelve hours ago, Mathura 12 and I had the following gchat conversation: ~*~ Mathura: omg omg omg me: whatwhatwhat Mathura: im sooo excited, i just ran around the floor screaming me: :) :) :) :) :) :) :) :) Mathura: scared samvaran, hahaha me: LOL, poor guy. im giggling in my room. im basically not sane right now. Mathura: lolllllllllllllllllllllllll. aaaah i just went and slapped samvaran some more me: is he going to be alive in ten minutes? Mathura: probs not, hes in the line of happiness fire ~*~ Our uncontrolled enthusiasm stemmed from the fact that, thanks to Ram 13, we along with Pallavi 12 and Krithika 12 were about to go sailing for the first time ever :) MIT Sailing has various days during the year designated as Moon Light Sailing days, and yesterday was the first one of the fall semester. The five of us headed out to the docks around 9 p.m. last night, relishing the warm temperature and gentle breeze. While waiting for our turn, Pallavi, Krithika, Mathura, and I took a bajillion pictures as per female i-must-take-pics-of-everything norm. Soon after, WE GOT IN OUR BOAT ahhhh *cue Mathuras excited squealing* Yeahhh, MIT! Our boat went kind of slow at first, but after a little while, we caught the wind and picked up speed. Bubblessss. It was so, so relaxing to be out on Charles, with the gorgeous Boston skyline right in front of my eyes and friends right there with me. Our time ran out much too quickly, but as I stepped off the boat and back onto the dock, all I could think about was how happy I was at that moment. Yeah, I have an orgo test on Wednesday and a paper proposal due that same day and a lab report due Thursday and a manual on electrodes to read by Friday and more stuff I dont feel like naming right now but yesterday, sailing completely eclipsed all of that. It was definitely a night to remember :) Loveee! P.S. Its my dads birthday tomorrow :) Happy early birthday, Daddyyy!

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Martin Luther King And Gandhi - 910 Words

Martin Luther King Jr. had illustrated civil disobedient to the world during a challenging time, by quoting inspirational words from Gandhi and Thoreau. Gandhi had also quoted Thoreau throughout his stimulating time. Before Martin Luther King and Gandhi, Thoreau exemplified civil disobedience in the 1800’s. The purpose of Thoreau’s civil disobedience was to make a different world. King and Gandhi had the same purpose. That is one of the main reasons why they connected to Thoreau’s essay. Born July 12th 1817, Thoreau grew up very educated. Education surrounded him everywhere. At home, his sister was his educated tutor. Thoreau loved to read. Thoreau would read and memorize Shakespeare, John Bunyan, and more. Thoreau worked so hard that he was accepted to Harvard. After graduating Harvard in 1833, he returned to his home town. When he got back home, he became a teacher at an elementary school. Thoreau always kept a journal. It was in 1840 when Thoreau wanted to ma ke a name for his self as a published writer. In 1846 Thoreau had been sent to jail for not paying taxes. It was illegal during that time not to pay taxes. Thoreau did not pay his taxes because he did not agree with the war going on. From the Power of Peace Thoreau, Gandhi, and King article it quotes Thoreau. It state Thoreau says, â€Å"Thoreau sat in a jail cell, rather than pay the taxes and a fine to get out. He did this to make a public statement: ‘I refuse to support the war’.†¦ â€Å"Thoreau s friend, theShow MoreRelatedMartin Luther King Jr. And Gandhi1132 Words   |  5 Pagesof nonviolence are Martin Luther King Jr. and Mohandas K. Gandhi. While there are many pros to nonviolence, there are just as many cons. Somehow these two people managed to impact millions of people’s lives and still continue to do so today. Through all of the negativity and discrimination these two people became leaders in our society’s eyes and still remain as role models in our society now. There are always pros and cons to being a leader to millions, but Martin Luther King Jr. and Gandhi’s â€Å"non-traditional†Read MoreMartin Luther King Jr. And Gandhi1437 Words   |  6 PagesOne of the most inspirational books written that influenced people such as Martin Luther King Jr. and Gandhi is Civil Disobedience. Written by Henry D. Thoreau and based on his live relieving experience at Walden s Pond provides us with a new way to look at our lives. Civil Disobedience is a book that provides a new life changing experience. Thoreau’s time at Walden Pond is described as an experiment in living deliberately which he furthers to describe as living with a purpose, making choices, andRead MoreMartin Luther King Jr And Mahatma Gandhi Essay1625 Words   |  7 PagesMartin Luther King Jr and Mahatma Gandhi on Nonviolence Introduction: Martin Luther King Jr and Mahatma Gandhi are both great exmples and role models of the nonviolent protest from there very different religious backgrounds. Although the two have different religious beliefs, but the fact that they have the same approach to the nonviolent factor that plays a big role in the world still to this day. Martin Luther King Jr. a black male southern Baptis preacher who was from Atlanta who was born inRead MoreMahatma Gandhi, Martin Luther King, and Nelson Mandela1504 Words   |  7 Pagesï » ¿Mahatma Gandhi, Martin Luther King, and Nelson Mandela Non-violence is a concept that people participate in social and political change without violence. It is a form of social and political change between passive acceptances and armed struggle. Non-violence way to participate in the social and political change is including nonviolent civil disobedience against, acts of civil disobedience or other powerful influence uncooperative antagonistic form; it is similar with pacifism, but it is notRead MoreMohandas Gandhi vs. Martin Luther King Jr.1935 Words   |  8 PagesMohandas Gandhi vs. Martin Luther King Jr. People all over the world know that Mohandas Gandhi and Martin Luther King Jr. did great things in their life times. But which one was more effective during his time? The answer to this question is somewhat biased, usually depending on your race, geographical location, and if you or someone you know has directly experienced the effects of the actions of these men. 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Gandhi believed that the people of India deserved to be their own person and have their own personality without theRead MoreLeadership Ethics : Martin Luther King, Mahatma Gandhi And Jack Welch933 Words   |  4 Pagessingle formula for leadership, and it will be best understood from multiple perspectives (Shriberg and Shriberg, 2011). We also accept the fact that every leader leads differently. Our team has chosen three exemplary leaders of all time – Martin Luther King, Mahatma Gandhi and Jack Welch. Each one of them has exhibited a great amount of leadership skills and up to this day are used as examples in our current globalised economics. Their leadership has shaped countries and their influence has stretchedRead MoreFrom Mahatma Gandhi to Winston Churchill to Martin Luther King2352 Words   |  10 PagesFrom Mahatma Gandhi to Winston Churchill to Martin Luther King, there are as many leadership styles as there are leaders. Fortunately, businesspeople and psychologists have developed useful and simple ways to describe the main styles of leadership, and these can help aspiring leaders understand which styles they should use. So, whether you manage a team at work, captain a sports team, or lead a major corporation, which approach is best? Consciously, or subconsciously, youll probably use some of

Mughal Inspiration Art Forms Increasing Culture Free Essays

After the Mughals arrived in India, a great cultural growth occurred in many different forms of art, such as music, visual art, architecture, and literature. India was already a country with many different cultural aspects, but the Mughals, of Turkish-Mongolian descent, expanded the realm of art even further. This Mughal art and architecture was considered an Indo-Islamic-Persian style, which combined different aspects of Islamic and Persian art with indigenous Indian art. We will write a custom essay sample on Mughal Inspiration: Art Forms Increasing Culture or any similar topic only for you Order Now This style thrived during the Mughal Empire from approximately 1526-1857 A. D. The monarchs of the Mughal dynasty encouraged art in areas such as literature and painting and created many great buildings and gardens that are still a great display of beauty today. The presence of the Mughals in India added to Indians’ cultural life through the beautiful and rich forms of art such as architecture, painting, literature, and music that they introduced to the subcontinent. First, the Mughals made many great contributions in architecture. The mausoleums, mosques, palaces, and cities that the Mughals created were very rich and intricate. In the words of A. L Basham, â€Å"The Mughal period was one of great splendour, and has left its mark on India in the form of many lovely buildings, wherein Islamic and Hindu motifs often blended in perfect unity. † The most noticeable contribution that the Mughals made in art was architecture, because they left so many great mausoleums, mosques, and palaces. Perhaps the most famous piece of architecture even in the worl d today is the Taj Mahal, which is a mausoleum that was built by the Mughal monarch Shah Jahan to entomb his third wife’s remains after she died in childbirth. Construction on this beautiful structure began in around 1632 and was completed in the year 1653. This structure was built mainly of marble, and it includes many tranquil gardens and canals. It is an Islamic structure, but it still was a â€Å"symbol of beauty and excellence for all Indians regardless of religious or sectarian affiliation. † Although this structure was built for an Islamic woman and was influenced by the Islamic style, people from all backgrounds and religions appreciated it for its beauty and symbol of eternal love. The first three Mughal emperors, Babur, Hamayun, and Akbar, each used the Iranian Timurid style of combining marble and red sandstone in the structures that they built. For example, Akbar, the third monarch of the Mughal Empire, built a new capital city called Fatehpur Sikri, which sat on a rocky plateau and overlooked a lake. A royal mosque with a palace was set to the west with the residential town area residing below. The city was gated with a grand entrance made of the red sandstone, and a lofty flight of steps were climbed to reach the city. There was also a marble tomb for Salim Chishti inside the city. Chishti was a Sufi mystic who told Akbar that he would eventually have three sons. The tomb was made of marble, and consisted of geometric shapes and inscribed verses from the Quran. The design of the inscribed verses was considered an abstract form of Islam. This shows the influence that Islam had on the tomb, and therefore on the rest of the citizens who saw this mausoleum in their city every day. Other Mughal monarchs made their mark on Indian architecture as well. Jahangir and his wife Nur Jahan built tombs for Akbar, his father, at Sikandra and for her father at Agra, respectively. These tombs both incorporated the marble theme that the Mughal emperors before them had started. Overall, the Mughals devoted most of their greatest efforts to burial places for their loved ones. They also developed many fortress-like palaces with intricate details. For example, many of the rooms and corridors in these palaces were shielded from the outside by jalis, or latticework windows. They contained â€Å"mirror rooms†, wall alcoves, small waterways to provide air conditioning, and many statues and sculptures. Many intricate details were used in not only the palaces but also all of the structures that the Mughal monarchs built. The architecture of the Mughals added a very noticeable elegance and beauty to the Indian subcontinent. Another example of a form of art that enriched Indian culture with the arrival of the Mughals was painting. Mughal paintings were and still are very treasured Indian art. Generally, the paintings that the artists created from that time had a realistic yet imaginative style to them. Annemarie Schimmel stated in her book on the Mughal Empire that Mughal style â€Å"developed from the interaction between the refined Persian style and the strong, lively version of the Hindu artists. † There was a naturalistic style in these paintings, which was not seen in Iranian tradition or in early indigenous paintings of India. Some believe that it may have been both Akbar’s interest in realism and the European prints that arrived at court that influenced the artists to create this style and use naturalistic colors. The second monarch of the Mughal dynasty was Humayun, who was very intrigued by paintings. If an exotic bird flew into his tent, he caught it and ordered his artists to paint it. This shows his love and passion for painting, even if it was just of a small bird. Akbar, the third emperor, seemed to be the most enthused of all the Mughal emperors about paintings. He encouraged artists to paint and to show him their work; if he enjoyed it, he would give them rewards. Sometimes, he would even honor the especially talented artists with titles or positions close to the throne. In some of the paintings of Akbar’s time, Islamic attitudes towards the representations of living things were considered. Akbar had stated that the reason that the paintings of living things were somewhat imaginative was because the artists could not make anything individualistic, because every arm looks the same and every body looks the same. Therefore, they put their own spin on whatever they were painting, making it unique and abstract. Akbar also believed that painting deepened faith in God, while many others believed it to be blasphemous. The Mughals also showed interest in allegorical themes. They had paintings of Christ, the Last Supper, St. John, and other religious allegories that were not affiliated with their own religion. The reason for their possession of this artwork, though, was nothing more than curiosity. The fact that the Mughal emperors were willing to have paintings of Christian descent shows that they appreciated any and all forms of paintings that they came across, and it added to the diversity of the artwork that they had and broadened their cultural life. The Mughals greatly enjoyed paintings and made this form of art a part of their daily lives by having their own artists with them at all times and by rewarding those who showed them their creations. The Mughals’ arrival also influenced of other forms of art such as literature, music, and even textiles. The first emperor, Babur, and all of his descendents shared a love of fine books. They also thought that calligraphy was very important too; it was not just the contents of books that mattered; they appreciated the calligraphy as well. Akbar was supposedly illiterate, but he worked around this by having people read to him and having scribes take his dictation. His library contained over 24,000 books, of a variety of subjects. Much of his library had books of important Sufi writings, which showed his devotion to his Islamic religion. Also, because Akbar was tolerant of various religions outside of Islam, his library contained translations of Hindu texts. The great variety in these books show the appreciation they had for all kinds of books, no matter what they were about. Each of the emperors were also interested in textiles, but especially Akbar. He appreciated fine-quality velvets, silks and cottons. In each of the Mughal monarchs’ palaces, tombs, and tents, there were fine carpets that were used to cover the floors. They appreciated anything fine and beautiful that they could use to decorate their homes. Lastly, the Mughals brought a unique twist on the music of that time period in India. During the Mughals time period, Indian Classical music arose as two different traditions. There was the north Indian Hindustani and the south Indian Carnatic, which arose mainly because of the Islamic influence. The Hindustani tradition was a mixture of traditional Indian music and aspects of Persian performances. Many new musical forms and instruments formed under the Mughal rule. While some of these musical forms began to form a few centuries before the Mughals arrived, they reached their pinnacle under the rule of the Mughals. The Indian Carnatic music, on the other hand, focused more on the vocal portions of the music and less on the instruments. Most of the Carnatic compositions were written to be sung and performed in a singing style with less focus on the instruments. Each of these forms of Indian classical music, Hindustani and Carnatic, were from Hindu origins. This music helped to evolve Hinduism and allowed its people to practice their religion in a different way. In a more negative light, though, Aurangzeb, perhaps one of the least flexible rulers of the Mughal empire, allowed only strict interpretations of Islam, therefore barring music. This caused music to be driven underground and caused the performers of music to become social outcasts. Overall, though, the Mughal Empire had more lenient rulers that allowed music to flow through India and influence people in a positive light. The Indians were able to expand their musical preferences and appreciate newer forms of music. Directly following the arrival of the Mughals, a great increase in Indian culture occurred through various forms of art such as architecture, painting, literature, and music. Although the Mughals were descended from warriors, they had a great eye for beauty and displayed their love for art through the pieces of work that they contributed to their empire. The great cultural varieties that the Indian people were exposed to by the Mughals allowed their already rich and diverse culture to have even more variety. With art to join them, both Hindus and Muslims were able to live together in harmony during most of this time period. This is also due to the rulers who allowed it, of course, but with these new ways to express art it allowed the Indian people to be united regardless of their religious views and backgrounds. People were influenced to share their own artwork and their cultural diversity expanded even further. Because of the Mughals presence in India beginning from the sixteenth century, Indians’ cultural life was broadened through the beautiful and rich forms of art like architecture, painting, literature, and music that the Mughals brought to them. How to cite Mughal Inspiration: Art Forms Increasing Culture, Papers

Antigone Creon as a Tragic Hero Essay Example For Students

Antigone Creon as a Tragic Hero Essay In the story Antigone, Creon shows all of the characteristics of a tragic hero. He receives pity through the audience, yet recognizes his weakness, and whose downfall comes from his own self-pride. Though the audience notices how villainous Creon is, they still express pity towards him. They realize the he brought all of his problems on himself and should have been more open-minded, but think no one should go through that. They also understand how the warrior king Creon felt when he notices his son is love struck. The audience also expresses pity towards him because the girl is a murderer, understand why he is upset. Most parents today have to approve of someone before their child can date them, so that is why most of the audience can relate to Creon and express pity. King Creon notices that he has a weakness in which he tries to correct but is too late. His weakness is just like Romeo in that he is impulsive with his decision making. He never really sits down and thinks about things, instead he just says what comes to mind. In scene 3, line 118 he says you will never marry her while she lives, right after his first discussion about Antigone. King Creon notices that he has a weakness in which he tries to correct but is too late. His weakness is just like Romeo in that he is impulsive with his decision making. He never really sits down and thinks about things, instead he just says what comes to mind. In scene 3, line 118 he says you will never marry her while she lives, right after his first discussion about Antigone. In lines 142-150 he summarizes his plans for Antigone, in which he thinks of right after talking with his son. These two decisions decided the lives of two young people, but the impulsive Creon never thinks about that. In scene 5, lines 105-108 Creon tries to correct his impulsiveness with, Come with me to the tomb. I buried her, I will set her free, Oh quickly, my mind misgives. These lines show how he changes his impulsive decision, but unfortunately is too late. Self-pride is the tragic flaw that Creon faces in this story. His tragic flaw causes the deaths of both his wife and son. This is because he shows so much arrogance in every decision he makes. Even if it is wrong he will not correct it, because he is the king whom is never wrong. In scene 3, line 105 Creon shows how much self-pride he really has by saying, My voice is the one voice giving orders in this city. Then he states that, the state is the king, in line 107. Later in the scene Creon is arguing with his son and says you will never her while she lives, and this shows how whenever he makes a decision he will stick by it. By Creons self-pride deciding to never let his son marry Antigone, he decides to let his son die also. Creon is the king in Antigone, whom possesses all of the characteristics of a tragic hero. He receives pity through the audience, yet recognizes his weakness, and whose downfall comes from his own self-pride.